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WilliamForsythe - A Quiet Evening of Dance Danse Marquer comme favori (connexion) Promouvoir l 'évènement. jeu. 04 juil. 19. 20h00. 40,00 € Opéra Comédie. Pour A Quiet Evening of Dance, le chorégraphe retrouve avec gourmandise une technique classique qu’il aura longtemps désossée, fracturée, déstructurée. Et il affirme tranquillement : « Mon but Lasaison 21-22 de La Filature débute les 14 et 15 septembre 2021 au Théâtre de la Sinne à Mulhouse avec le magnifique spectacle "A Quiet Evening of Dance" de William Forsythe, Oct 13, 2019. One of the pleasures of a life filled with dance is the way, at the end of the day, a performance can force the mind to change course, to quiet down. William Forsythe’s program PourA Quiet Evening of Dance, le chorégraphe retrouve avec gourmandise une technique classique qu’il aura longtemps désossée, fracturée, déstructurée. Et il affirme tranquillement : « Mon but est de mieux faire voir l’art du ballet ». Parti de l’analyse du mouvement de Rudolf Laban, alimenté par les lectures de Derrida, Deleuze ou Foucault et WilliamForsythe William Forsythe est actif dans le domaine de la chorégraphie depuis plus de 45 ans. Son travail est reconnu pour avoir réinventé la pratique du ballet, déstructurant le répertoire classique pour l’emmener vers une forme d’art dynamique du XXIe siècle. Le profond intérêt de Forsythe est de révéler les Site De Rencontre Payant Pour Homme Et Femme. WILLIAM FORSYTHE Raised in New York and initially trained in Florida with Nolan Dingman and Christa Long, Forsythe danced with the Joffrey Ballet and later the Stuttgart Ballet, where he was appointed Resident Choreographer in 1976. Over the next seven years, he created new works for the Stuttgart ensemble and ballet companies in Munich, The Hague, London, Basel, Berlin, Frankfurt am Main, Paris, New York, and San Francisco. In 1984, he began a 20-year tenure as director of the Ballet Frankfurt, where he created works such as Artifact 1984, Impressing the Czar 1988, Limb’s Theorem 1990, The Loss of Small Detail 1991, A L I E / N ACTION 1992, EidosTelos 1995, Endless House 1999, Kammer/Kammer 2000, and Decreation 2003. After the closure of the Ballet Frankfurt in 2004, Forsythe established a new ensemble, The Forsythe Company, which he directed from 2005 to 2015. Works produced with this ensemble include Three Atmospheric Studies 2005, You made me a monster 2005, Human Writes 2005, Heterotopia 2006, The Defenders 2007, Yes we can’t 2008/2010, I don’t believe in outer space 2008 and Sider 2011. Forsythe’s works developed during this time were performed exclusively by The Forsythe Company, while his earlier pieces are prominently featured in the repertoire of virtually every major ballet company in the world, including the Mariinsky Ballet, New York City Ballet, San Francisco Ballet, National Ballet of Canada, Semperoper Ballet Dresden, England’s Royal Ballet and the Paris Opera Ballet. More recently Forsythe has created original works for the Paris Opera Ballet Blake Works I, English National Ballet Playlist Track 1,2, Boston Ballet Playlist EP, as well as A Quiet Evening of Dance produced by Sadler’s Wells Theatre London and The Barre Project Blake Works II created for the digital stage. Awards received by Forsythe and his ensembles include the New York Dance and Performance “Bessie” Award 1988, 1998, 2004, 2007 and London’s Laurence Olivier Award 1992, 1999, 2009. Forsythe has been conveyed the title of Commandeur des Arts et Lettres 1999 by the government of France and has received the Hessischer Kulturpreis/ Hessian Culture Award 1995, the German Distinguished Service Cross 1997, the Wexner Prize 2002 the Golden Lion of the Venice Biennale 2010, the Samuel H Scripps / American Dance Festival Award for Lifetime Achievement 2012 and the German Theater Award FAUST for Lifetime Achievement 2020. Forsythe has been commissioned to produce architectural and performance installations by architect-artist Daniel Libeskind Groningen, 1989, ARTANGEL London,1997, Creative Time New York, 2005, and the SKD – Staatliche Kunstsammlungen Dresden 2013, 2014. These Choreographic Objects, as Forsythe calls his installations, include among others White Bouncy Castle 1997, City of Abstracts 2000, Nowhere and Everywhere at the Same Time No. 2 2013, Black Flags 2014, Underall 2017 and Unsustainables 2019. His installation and film works have been presented in numerous museums and exhibitions, including the Whitney Biennial New York, 1997, Louvre Museum 2006, Pinakothek der Moderne in Munich 2006, Tate Modern London, 2009, MoMA New York 2010, Venice Biennale 2005, 2009, 2012, 2014, MMK – Museum für Moderne Kunst Frankfurt, 2015, 20th Biennale of Sydney 2016, ICA Boston 2011, 2018, Museum Folkwang 2019 and the Museum of Fine Arts, Houston 2020.In collaboration with media specialists and educators, Forsythe has developed new approaches to dance documentation, research, and education. His 1994 computer application Improvisation Technologies A Tool for the Analytical Dance Eye, developed with the ZKM / Zentrum für Kunst und Medientechnologie Karlsruhe, is used as a teaching tool by professional companies, dance conservatories, universities, postgraduate architecture programs, and secondary schools worldwide. 2009 marked the launch of Synchronous Objects for One Flat Thing, reproduced, a digital online score developed with The Ohio State University that reveals the organizational principles of the choreography and demonstrates their possible application within other disciplines. Synchronous Objects was the pilot project for Forsythe's Motion Bank, a research platform focused on the creation and research of online digital scores in collaboration with guest choreographers. As an educator, Forsythe is regularly invited to lecture and give workshops at universities and cultural institutions. In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. As summer draws to a close, we find ourselves putting away our beach reads and blockbuster movies, craving denser, meatier entertainment. If you're unsure where to go, we recommend heading to The Shed, where a stellar lineup of visual arts, dance, music and more from top artists around the world is planned for the next few months. Our guide to the Fall program below. "Wheatfield –A Confrontation" by Agnes Denes Agnes Denes "Absolutes and Intermediates" Oct 9 - Jan 19 This comprehensive exhibit includes 150 works from the groundbreaking artist's 50-year career, including photography from her iconic "Wheatfield – A Confrontation" installation, when she farmed two acres of wheat in the then-empty landfill of Battery Park City in 1982. William Forsythe, "A Quiet Evening of Dance" William Forsythe, "A Quiet Evening of Dance" Oct 11 - 25 Choreographer William Forsythe will present new and existing pieces, which will be performed by seven of his closest collaborators. The dancer's breath is the primary music to accompany the dancing, which draws from the styles of classical ballet. "Requiem" at The Shed "Requiem" at The Shed Nov 19 - 24 See Verdi's masterpiece, "Messa da Requiem," performed two different ways. Conductor Teodor Currentzis will lead a live performance of the piece by a 105-seat orchestra and 80-member chorus. While a film set to the music by the late filmmaker Jonas Mekas will be screened in the Level 4 gallery. The Related Life is written and produced by Related Luxury Rentals. Be sure to follow us on Facebook, Twitter and Instagram for the latest events, news and announcements in your area, and tag us for a chance to be featured therelatedlife and therelatedlife. A Quiet Evening of Dance – William Forsythe Théâtre d’Orléans, 6 décembre 2021, Orléans. A Quiet Evening of Dance – William Forsythe du lundi 6 décembre au mardi 7 décembre à Théâtre d’Orléans **Figure emblématique de la danse contemporaine, William Forsythe fait un retour attendu à la scène, après une pause de quelques années.** En 45 ans de création, il n’a cessé de bousculer notre manière de regarder la danse et malgré cette révolution permanente, il n’a jamais perdu de vue son point de départ le Ballet. Pour cette soirée qui marque son retour comme chorégraphe indépendant, 4 ans après la fin programmée de sa Forsythe Company, le maître américain s’entoure de 7 interprètes, dont un danseur de hip-hop, qui connaissent son style sur le bout des doigts. Cette soirée revisite ses pièces _Dialogue DUO2015_ et _Catalogue_ et nous offre deux créations inédites, _Epilogue_ et _Seventeen/Twenty One_, pour un programme qui va à l’essentiel avec un rigoureux travail de tressage entre danse et musique. En limitant décors et costumes, Forsythe construit une danse de chambre » mettant à nu la mécanique de son travail, entre précision analytique et contrepoint baroque. Un travail d’orfèvre, servi par des artistes qui en maîtrisent chaque articulation. Du pur Forsythe et bien plus encore ! [Découvrez le teaser du spectacle] − **Nos rendez-vous** **Lundi 29 novembre** de 11h à 18h – CCNO Stage professionnel avec Fabrice Mazliah, enseignant de la technologie d’improvisation de William Forsythe. Tarif 15€. Sur inscription, plus d’informations. − **Sadler’s Wells London** Chorégraphie William Forsythe Co-créateurs Brigel Gjoka, Jill Johnson, Christopher Roman, Parvaneh Scharafali, Riley Watts, Rauf RubberLegz » Yasit, Ander Zabala Interprétation Roderick George, Brigel Gjoka, Jill Johnson, Brit Rodemund, Riley Watts, Rauf RubberLegz » Yasit, Ander Zabala Musiques Morton Feldman, Jean‐Philippe Rameau Costumes Dorothee Merg, William Forsythe Lumières Tanja Rühl, William Forsythe Création sonore Niels Lanz − **Lundi 6, mardi 7 décembre** 20h30 − Salle Barrault Tarifs de 5€ à 25€, détails et renseignements [ici] – guichet billetterie exceptionnellement ouvert lundi 6 décembre de 14h jusqu’au début du spectacle Durée 1h30 environ _Ce spectacle a remporté le Prix Fedora – VanCleef & Arpels pour le Ballet en 2018_ Tarifs de 5€ à 25€ Figure emblématique de la danse contemporaine, William Forsythe fait un retour attendu à la scène, après une pause de quelques années. Théâtre d’Orléans boulevard pierre ségelle 45000 orleans Orléans Loiret Dates et horaires de début et de fin année – mois – jour – heure 2021-12-06T203000 2021-12-06T220000;2021-12-07T203000 2021-12-07T220000 4 October 2018 - 6 October 2018View HereIn “A Quiet Evening of Dance”, William Forsythe takes the audience on a playful exploration of dance and style with a blend of former pieces and as “a native ballet speaker”, Forsythe demonstrates once a gain his wit in deconstructing its language and gracing it with new accents. While figures of the baroque origin of ballet are combined with the introduction of break-dance on stage; Forsythe brings 17th and 21st century dance together. Bouncing from classical vocabulary to hip-hop, he cleverly choreographs a flickering relationship between them, consisting of echoes, incorporations and even light-hearted confrontations. The theatre’s lights remain on during the first part of the evening, which begins suddenly when two dancers appear on stage. With music sounding like a peaceful afternoon, and lights out only seconds before intermission, the first part recalls a rehearsal where dancers decipher and deconstruct engaging the audience, fundamentals of ballet’s vocabulary are displayed by Jill Johnson and Christopher Roman in Catalogue, second edition two shoulders and a pair of hips draw horizontal, vertical and diagonal lines displaying the basis of ballet’s traditional haut-du-corps work. Yet, the dancers explore beyond the confines of the rules, twisting the lines and unveiling the choreographer’s 40 year-long exploration of movement. His masterful sketching of bodily forms is regularly hinted at by costumes highlighting the dancers’ extremities with bright colours. And once Parvaneh Scharafali gracefully pauses for an attitude, the exceptional fluidity of the movement on display is suddenly and Epilogue, which frame Catalogue, delicately introduce break-dancer Rauf “Rubberlegz” Yasit to the stage who slowly infuses tonight’s new works with hip-hop. Movements of the contemporary style are, at first, softly – and nearly imperceptibly – included in the evening goes from strength to strength with Seventeen/Twenty One, a thrilling and humorous dance delight, which brings a brilliant end to the evening. All dancers show exceptional virtuosity and precision, Rauf “Rubberlegz” Yasit smoothly blending in with Forsythe’s seven long-time collaborators, often bringing the audience to laughter, surprise and awe. The last piece delivers a fascinating chronological mix where styles richly interact with each other, confirming once more William Forsythe’s incredible intelligence and his continued ability to enrich ballet today. 4 minutes ago, Jan McNulty said I found the original thread about the nominations but it had become so off topic with pages of comments about a newspaper review that I think this stands better as a free-standing item. Congratulations to all the winners and especially to the wonderful Marion Tait. Thank you, Janet. I'd also just found the original thread. Since the nominations might, possibly, be of interest to some readers, I'll paste them below and I'd also like to add my congratulations to all the winners. Short-listed nominations for the National Dance Awards NDA20, covering performances in the UK between 1 September 2018 and 31 August 2019 DANCING TIMES AWARD FOR BEST MALE DANCERAlexander Campbell The Royal BalletJeffrey Cirio English National BalletIsrael Galván Compañia Israel GalvánVadim Muntagirov The Royal BalletMarcelino Sambé The Royal Ballet BEST FEMALE DANCERSara Baras Ballet Flamenco Sara Baras/Flamenco FestivalFrancesca Hayward The Royal BalletKatja Khaniukova English National BalletLaura Morera The Royal BalletMarianela Nuñez The Royal Ballet STEF STEFANOU AWARD FOR OUTSTANDING COMPANYMark Morris Dance GroupNorthern BalletThe Royal BalletSan Francisco BalletScottish Ballet BEST INDEPENDENT COMPANYBallet BlackJames Cousins CompanyNational Dance Company WalesShobana Jeyasingh DanceYorke Dance Project BEST CLASSICAL CHOREOGRAPHYPatricia Guerrero for Catedral Flamenco FestivalCathy Marston for Victoria Northern BalletHelen Pickett for The Crucible Scottish BalletStina Quagebeur for Nora English National BalletAlexei Ratmansky for Shostakovich Trilogy San Francisco Ballet BEST MODERN CHOREOGRAPHYMatthew Bourne for Romeo + Juliet New AdventuresWilliam Forsythe for A Quiet Evening of Dance William Forsythe/Sadler’s WellsShobana Jeyasingh for Contagion Shobana Jeyasingh DanceArthur Pita for The Mother Alexandra Markvo/Bird & CarrotPam Tanowitz for Four Quartets Pam Tanowitz Dance EMERGING ARTIST AWARDJemima Brown Dancer, Tom Dale Company & James Cousins CompanySalomé Pressac Dancer, RambertMthuthuzeli November Choreographer, Ballet BlackStina Quagebeur Choreographer, English National BalletJoseph Sissens First Artist, The Royal Ballet OUTSTANDING FEMALE MODERN PERFORMANCEAvatâra Ayuso in No Woman’s Land AVA Dance CompanyCordelia Braithwaite as Juliet in Romeo + Juliet New AdventuresJemima Brown in Epilogues James Cousins CompanyNatalia Osipova in the title role as The Mother Alexandra Markvo/Bird & CarrotSolène Weinachter as Juliet in Juliet & Romeo Lost Dog OUTSTANDING MALE MODERN PERFORMANCEMathew Ball as the Swan/Stranger in Matthew Bourne’s Swan Lake New AdventuresJonathan Goddard in The Mother Alexandra Markvo/Bird & CarrotLiam Mower as the Prince in Matthew Bourne’s Swan Lake New AdventuresJoseph Sissens in Night of 100 Solos Merce Cunningham Trust/The BarbicanSaburo Teshigawara in The Idiot Saburo Teshigawara/ The Print Room at the Coronet OUTSTANDING FEMALE CLASSICAL PERFORMANCESara Baras in Sombras Ballet Flamenco Sara Baras/ Flamenco FestivalFrancesca Hayward as Juliet in Romeo and Juliet The Royal BalletKatja Khaniukova as Frida in Broken Wings English National BalletPippa Moore as Princess Beatrice in Victoria Northern BalletAnna Rose O’Sullivan as Juliet in Romeo and Juliet The Royal Ballet OUTSTANDING MALE CLASSICAL PERFORMANCEGary Avis as Kulygin in Winter Dreams The Royal BalletCesar Corrales as Romeo in Romeo and Juliet The Royal BalletNehemiah Kish as the Husband in The Concert The Royal BalletMarcelino Sambé as the Blue Boy in Les Patineurs The Royal BalletNicholas Shoesmith as John Proctor in The Crucible Scottish Ballet OUTSTANDING CREATIVE CONTRIBUTIONKoen Kessels Conductor; Music Director, The Royal Ballet and Birmingham Royal BalletNadine Meisner Author, Marius Petipa The Emperor’s Ballet MasterDimitris Papaioannou Designer, The Great TamerPeter Salem Composer, The CrucibleGavin Sutherland Conductor/ Music Director, English National Ballet Edited February 19, 2020 by Bluebird

a quiet evening of dance william forsythe